To be perfectly honest, I’ve always found Nebraska (1982), Bruce Springsteen’s sixth studio album, to be a little bit overrated. It plays to me like the perfect hipster pick, with its defiant stylistic spareness representing a “stark” [1] deviation from the erstwhile Springsteen playbook of energetic arena rock.  With few exceptions, none of the tracks … Continue reading “Somehow, Nobody Seems to Mention Nebraska’s Sugar Daddy, Columbia Records, in Album Commentary”